Macbeth Charachter Essay Essay Example

Macbeth Charachter Essay Essay Macbeth Character Essay In Act 1, Macbeth is described by Duncan as â€Å"O valiant cousin! Worthy gentleman! † By the end of the play, Malcolm calls him a â€Å"dead butcher†. Trace the changes in Macbeths’ character, analysing the reasons behind them. Macbeth’s ruthless seeking journey for power, urged on by his wife, becomes his tragic flaw which leads to his downfall in all ways. The tragic hero is used by Shakespeare to show how the tragedy lies in the greatness that could so easily have been Macbeth’s. Inevitably, his conversion in character all results in his ambition which causes him to act in such brutal ways. We note how an idealised individual such as Macbeth’s changes into a despised one. We observe Macbeth’s greatness and bravery in combat through the Captain’s account of the battle. Macbeth is described as â€Å"Valour’s minion† who â€Å"carved out his passage till he faced the slave†. One examines the respect enclosed in his companion soldiers who give him the name â€Å"brave Macbeth†. This is followed by a line of reassurance which is â€Å"well he deserves that name†. Macbeth’s honour and excellence in battle is demonstrated in Duncan’s words â€Å"O valiant cousin! Worthy gentleman! †. His lack of fear displays his courage and heroism presented in the line â€Å"As cannons over-charged with double-cracks†. Shakespeare uses this to highlight the greatness he once had. We immediately suspect the thought of Duncan’s murder in Macbeth’s mind through the line â€Å"Good sir, why do you start and seem to fear things that sound so fair? . Macbeth’s ambition seems to take control of him as he continuously orders the witches to inform him of the prophecies in the lines â€Å"Stay, you imperfect speakers! Tell me more† and â€Å"Speak, I charge you! †. One can imagine Macbeth’s subsequent actions in the line â€Å"nothing is but what is not† as through it we realise that the only values t hat exists for Macbeth are those which he does not yet have, the Kingship. This continues to demonstrate how his ambition takes full control over him. We will write a custom essay sample on Macbeth Charachter Essay specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Macbeth Charachter Essay specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Macbeth Charachter Essay specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Macbeth realises that he must act quickly as â€Å"The Prince of Cumberland† is â€Å"a step on which he must fall down, or else o’erleap†, which continues to indicate how his ambition is taking over him and triggers his thought of Duncan’s murder which will soon become a reality. Macbeth recognizes the various reasons of why he should not kill Duncan and is tormented about these doubts, however he resolves to his â€Å"Vaulting ambition, which o’erleaps itself and falls on the other†. However the loyalty shown to King Duncan in previous scenes is forgotten completely and his true colours are really being shown. We can see how Macbeth deceives Banquo by replying: â€Å"i think not of them† when Banquo says he dreamt of the witches. This is linked to the theme of â€Å"appearance vs. reality† as we see the â€Å"false face† Macbeth has put on. Macbeth’s guilty, overwrought brain induces him to see visions before he does the murder. His guilt becomes outwardly visible to his own eyes, which he calls â€Å"a dagger of the mind†. This is a sign of the great turmoil in his mind where this fearless soldier is now tormented by images of blood and fear of the unknown. After Duncan’s murder Macbeth realizes that because of the deed he has just committed he has lost the possibility of ever receiving blessing. He appears to be conscience stricken as he struggles to say â€Å"Amen†. He realises perfectly well the extent of his guilt as we see in the lines â€Å"Will all great Neptune’s Ocean wash this blood clean from my hand? No† and â€Å"The pluck out mine eyes†. Macbeth’s guilt induces loss of sleep and, since he has lost his peace of mind, his innocence and guilt will torture him. His guilt becomes clearly evident in the line â€Å"Wake Duncan with thy knocking! I would thou couldst† and this shows how he will be scarred and damned for eternity. Macbeth’s mind is tormented by the witches’ prophecy that Banquo’s descendants will be kings of Scotland and convinces murderers that Banquo has always been their enemy while forcing them to kill him. This imposes the reprehensive position with which he has become, even worse than the murderers. Macbeth’s guilt and wickedness is also embodied in the ghost of Banquo which appears to torture Macbeth at the banquet he has organised for the succession of the throne. As soon as Macbeth hypocritically mentions Banquo, he sees his ghost however Macbeth attributes his hallucination of the ghost to being a result of him being a beginner in murder. In later murders Macbeth appears to be quite hardened to the horrors of murder. He does feel guilt but this is not enough to keep him from committing further murders as he says that he is â€Å"in blood stepped in so far that should I wade no more returning were as tedious as going o’er†. Macbeth derives security from the witches as he typically interprets the apparitions in his favour, rejecting what is unfavourable to him. We remember Hecate’s words: â€Å"security is mortals’ chiefest enemy†. By the end of the play Macbeth becomes completely ruthless and irrational and decides that â€Å"The very firstlings of my heart shall be the firstlings of my hand†. He therefore resolves to attack Macduff’s castle and kill his family. This accentuates Macbeth’s evil even more while showing the degeneration in his character as he murders a defenceless woman and her children. Macbeth no longer has any soul searching as he does not justify himself anymore with soliloquies before doing his deeds. This causes him to become completely ruthless and unscrupulous, making him an outright villain. Although throughout the book Macbeth seems to be influenced by his wife and the witches, it is Macbeth and his will to become king that performs each and every deed. Macbeth could so easily have been a righteous and respectable person however it is his ambition and will that induces him to become a â€Å"hell hound† and a â€Å"dead butcher†. Although Macbeth has become a changed man his only kingly characteristic was his courage to fight until he, the lonely saddened yet ruthless character, died in battle.

Ask An Agent What Makes A Self-Published Author Stand Out

Ask An Agent What Makes A Self-Published Author Stand Out Ask an Agent: Paul Lucas on What Makes a Self-Published Author Stand Out Paul Lucas is a literary agent at Janklow Nesbit where he has been representing authors since 2011. His clients come from across the spectrum of fiction (thrillers, science fiction, fantasy, historical and literary) and non-fiction (history, narrative, travel, science and humor). His clients include New York Times best-selling author R.A. Salvatore, Anthony Ryan, Alan Flusser, and Katherine Arden.Reedsy: How have you seen attitudes toward self-publishing change since you started out in publishing?Paul Lucas: Attitudes have changed tremendously, particularly since several self-published authors have now become monumental success stories. It is in part  because so many readers came to, and enjoyed, books by self-published authors. Since distributing e-books is so much cheaper and simpler than distributing physical books to bookstores, there are fewer barriers to entry and much easier discovery. As products, the e-books are indistinguishable from other offerings. So if the book is go od, it will receive attention.Which of your clients are self-published? Do you know of big authors that people might not know got their start as self-published authors?My clients that started in self-publishing include Anthony Ryan (NYT bestselling author), Matthew Mather (translated into 15 territories), James Islington, Steve McHugh, Jodi McIsaac and Richard Phillips. Andy Weir, Hugh Howey, AG Riddle, and Blake Crouch are major authors who stand out from the self-publishing world.Sorry there’s a male bias to these writers! Women have been tremendously successful with self-published science fiction and thrillers; I just haven’t signed any other than Jodi. Women absolutely dominate the romance space.In working with self-published authors who transition to traditional publishing, what stands out about them? What are their greatest assets, both personally and professionally?The key to self-publishing is that the writer becomes her own publisher. That means hiring editors , illustrators, and designers and paying for marketing and promotion. The best of them are very professional, and many publish several books a year. It’s easier for them to do so since there is a much longer lead time in traditional publishing.Since many self-published authors enjoy closer access to their fans, it makes it self-sustaining success more achievable. If she feels confident that 20,000-30,000 readers will come to each of her new books, twice a year, a writer can comfortably rise to a six-figure income. Traditional publishers would find it challenging to reach 20,000 readers and might give up on that author if they did not see sales rising. Relishing the challenges of editorial control and developing strong positioning for your book are two critical characteristics for success in self-publishing. "Many self-published authors enjoy closer access to their fans"@canonizer With all of the reading that agents need to do to stay on top of the industry as a whole, how do you prioritize reading self-published work? Do you actively seek it out or hear about it through word-of-mouth or recommendations? In short, how does a self-published book find its way onto the radar of an agent?I typically find self-published books that are rising quickly in e-book sales rankings. It is less word-of-mouth than trawling through the winners on retailers’ sites. Sometimes self-published authors seek out agents but it’s fairly rare for very successful ones to do so these days since agents typically come knocking after they get enough attention.Where do you see self-publishing fitting into the larger publishing industry in the coming years? What is exciting about it? What will traditional publishers have to adapt to? Self-publishing will continue to grow for as long as it remains difficult for new authors to break into traditional publishing. That means it is mo re important than ever to treat a self-published book with the same consideration (or as close as you can get) that a traditionally published book would receive. The more believable the characters, plot, and writing, the easier it will be for readers to engage with it. Similarly, everyone judges books by their covers so it’s worth spending $500-1000 to have one created professionally rather than attempting one’s first MS Paint masterpiece.Publishers have attempted to launch their own digital imprints, which seem to cater to readers of self-published books. I’d recommend that any self-published author contemplating moving to a traditional publisher’s digital imprint do so with caution. Losing control over marketing the book can be jarring for people who have found success marketing their books on their own terms.Frankly, traditional publishing has become mediocre at launching new brand-name authors, especially with ongoing series. There haven’t been many new Anne Rices, James Pattersons, Stuart Woods in the last 5-10 years. Some of the ones now traditionally published earned their names in the self-published ranks. Publishers will need to learn how to develop talent if they want to keep people from wanting to self-publish, rather than publish traditionally.What are the potential obstacles facing self-publishing as it grows?Well, the elephant in the room is whether Amazon will continue to pay such substantial royalties and subsidize  self-published authors through Kindle Unlimited and their other deals. Authors might see a decline in their earnings if those were to disappear but it is unlikely to change how self-published books succeed in the near term since most self-published authors rely on the platform.What would you tell emerging authors who are on the fence about self-publishing?There used to be a stigma to self-publishing; it was synonymous with vanity publishing, which meant that authors would spend several thousand d ollars in exchange for inventory and the possibility of physical distribution. This stigma has all but vanished, particularly in commercial fiction where self-published authors are really thriving. Literary fiction and non-fiction all continue to work better traditionally. Readers seem to have short attention spans these days so discovery for more academically minded projects (or â€Å"serious† or â€Å"literary† or however we are describing high-brow books on a given day) have a big headwind. "This stigma has all but vanished, particularly in commercial fiction"@canonizer Lastly, new authors should keep in mind that it’s very hard for an agent to do anything with a newly self-published book. If it only has hundreds or several thousand sales, they will be unlikely to move it to the traditional space right away. This should not be discouraging – it might lead to far greater rewards.Are you hesitant to self-publish? What is your top reason for wanting to work with a traditional publisher on your first book? Let us know your thoughts in the comments below.